Inner Outlines is a sequence that offers a surface for the choreographer and the performer to work closely together. Thanks to the genre of a solo act, the dancer's character appears through their presence on stage; also, during the rehearsal period, the performer responds to the ideas the choreographer offers. 
Who is the dancer, when not dancing? What makes the personality, how could be showed on the stage the pure, naked human charachter without dancing?
A man - woman - dancer stands in the empty space defined by the walls of the theater. Patiently looking forward to the spectators while they find their seats, so she can begin her revelation. His body and personality serve as a medium through which he opens up to a collective information channel.
The piece is researching the personality changes of a person who is on the edge of insanity. The solo is based on thriller and horror movies such as Stanley Kubrick’s The Shining or Lars von Trier’s Antichrist.
Stairs, the stage of life. It presents us with unexpected and very much expected turns. The moving person is uncertain, unlike the stairs. The thoughts and desires of a person works the same. Their wings were lost a long time ago. They go up to the attic then down to the basement.
„I am interested in Gábor’s personal story, his relation to dance, his past experiences and his senses in the present. I am concerned with the expectations towards men, with the male roles, the stereotypes and their appearance in different dance styles and in real-life situations.”
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