{"id":10989,"date":"2023-09-23T13:45:09","date_gmt":"2023-09-23T13:45:09","guid":{"rendered":"https:\/\/cedt.hu\/?p=10989\/"},"modified":"2023-09-23T13:48:20","modified_gmt":"2023-09-23T13:48:20","slug":"kozep-europa-tancszinhaz-elinditotta-35-jubileumi-evadat","status":"publish","type":"post","link":"https:\/\/cedt.hu\/en\/kozep-europa-tancszinhaz-elinditotta-35-jubileumi-evadat\/","title":{"rendered":"Central Europe Dance Theatre launches its 35th anniversary season"},"content":{"rendered":"<p><em>Progressive, Stylish, Contemporary. 35 years.\u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>The press conference of the Central European Dance Theatre (KET), held at the end of September, was opened by Csaba Sz\u00f6gi, the \u201efather\u201d of KET. In September 1988, 35 years ago, he took over the leadership of the N\u00e9psz\u00ednh\u00e1z Dance Ensemble and initiated with the then Artistic Director - Gyula Harangoz\u00f3 Prize winner Istv\u00e1n \u00c9nekes - the name Central Europe Dance Theatre.<\/p>\n<p>From the very beginning, during the experimental workshop work, they were introduced to a lot of interesting areas, and they started from the idea that folk dance would somehow be directed towards the overall art, or at least towards their own creations. The choice of name was intended to mark a geographical affiliation and thus a role in the region. The basic concept of the KET, which is still part of its image today, was to provide a space and a company for young artists to experiment and to constantly seek out new talent.<\/p>\n<p>KET's previous artistic directors have been Csaba Horv\u00e1th, J\u00e1nos Feledi and Csaba Sz\u00f6gi, and the company has produced a generation of KET's flagship artists such as \u00c9va Duda, J\u00f3zsef H\u00e1mor, Kriszti\u00e1n Gergye and L\u00e1szl\u00f3 M\u00e1di, who will take over as the company's new artistic director this year.<\/p>\n<p><a href=\"https:\/\/cedt.hu\/en\/tagok\/madi-laszlo-2\/\">L\u00e1szl\u00f3 M\u00e1di<\/a>, She was a student of the Miskolc National Theatre from 1999-2007, then in 2007 she was accepted to the Budapest Contemporary Dance College, from where she was accepted to the MU Terminal Workshop, and in 2009 she joined the KET company. In 2023, he graduated with honours from the Choreography Department of the Hungarian Dance Academy, where he was head of the Choreography Department under the guidance of Kossuth Prize-winning artist Yvette Bozsik.<\/p>\n<p>She began her work as a creator and choreographer in 2010, collaborating with the other dancers of the company to create <em>Io Sono<\/em> In 2013, he made his first solo performance in the KET's Phases programme <em>From a tree<\/em> entitled. In 14 years, he has been involved in the premiere of more than 50 performances. With the company, he has written 5 independent choreographies, 4 co-creative performances and 3 creative works outside the company. As a composer and music editor, he has composed music for many of KET's productions, as well as composing for 8 outside companies. The company's current repertoire currently includes 4 performances. As a teacher, he has been an active master of the company's workshops since 2013.<\/p>\n<p>\u201cI want to continue to work with a focus on inclusion, transmission, research and experimentation. We are putting more and more focus and energy into the next generations.  We want not only to show, but also to give. We don't just offer a lecture, but a dictionary, an interpretation and an initiation. And in this, I think we are leading the way. With our educational dance theatre performances, with the initiation programmes that go with our performances, with the <em>Forum of Young Choreographers (IKF)<\/em> and <em>IKF+<\/em> our talent management programmes, our international <em>Summer Intensive Dance Course<\/em>unkkal <em>(NYIT)<\/em> and for dance artists <em>Open Class<\/em> workshops are all opportunities to do this.\u201d<\/p>\n<p>L\u00e1szl\u00f3 M\u00e1di, who would like to put even more emphasis on attracting young viewers and expanding contacts in the Central European region, said.<\/p>\n<p>R\u00e9ka Gerlits, the organisation's generating manager, has joined KET to help the company with its organisational operations.<\/p>\n<p>New shows for the 2023\/24 season:<\/p>\n<ul>\n<li><em>Progressive<\/em> performance with Anton Lachky at Traf\u00f3 on 2 March 2024<\/li>\n<li><em>Stylish<\/em> production with No\u00e9mi Kulcs\u00e1r, with a choreography especially for children at the National Dance Theatre in spring 2024<\/li>\n<li><em>Contemporary <\/em>with several Hungarian artists, the IKF programme on 11 November and the return of the K-Arcok solo series on 22 December. Each year the performances take place at the Bethlen T\u00e9ri Theatre, with KET as the resident company.<\/li>\n<\/ul>\n<p>Other agreed KET performances and programmes for the season:<\/p>\n<ul>\n<li>14 September, MU Theatre, <a href=\"https:\/\/www.mu.hu\/esemenyek\/kozep-europa-tancszinhaz-set-your-mind-free\/\"><em>Set Your Mind Free<\/em><\/a> (choreographer: Anton Lachky)<\/li>\n<li>5 October, MU Theatre, <a href=\"https:\/\/www.mu.hu\/esemenyek\/kozep-europa-tancszinhaz-audibles\/\"><em>Audibles<\/em><\/a> (choreographer: L\u00e1szl\u00f3 M\u00e1di)<\/li>\n<li>13-17 November, Hanoi, Vietnam, <em>InSoundOut<\/em> and <em>Harslet<\/em> (choreographer: M\u00e1t\u00e9 M\u00e9sz\u00e1ros; L\u00e1szl\u00f3 M\u00e1di)<\/li>\n<li>11-17 November at the <em>Sissi Autumn Dance (S\u0150T7) <\/em>and next spring's <em>International Monodance Festival<\/em> KET's own festivals.<\/li>\n<\/ul>\n<p><em>\u00a0<\/em><em>The Sissi Autumn Dance<\/em> a 7<em>. district, 7 days, 7 companies, 7 performances, featuring <\/em>It has been held every year since 2012. The event was launched with the aim of creating a tradition, inviting a generation of young choreographers whose works are fresh and topical, communicating with the contemporary world and socially sensitive.<\/p>\n<p>S\u0150T7 also reaches out to rural and cross-border dance workshops: <em>GG T\u00e1nc Eger, Kecskem\u00e9t City Ballet, Miskolc Ballet, Sopron Ballet, Sz\u00e9kesfeh\u00e9rv\u00e1r Ballet Theatre, the Gy\u0151r, P\u00e9cs, Ny\u00edregyh\u00e1za Dance Schools, the F\u00f3t Folk Art Secondary School, <\/em>or from the district's sister city, Gheorgheni <em>Figura Studio Theatre.<\/em><\/p>\n<ul>\n<li>Thanks to V4 cooperation, this year more Central European countries will participate in the Autumn Festival thanks to a European Union project <em>Beyond Front@<\/em> represents the name.<\/li>\n<\/ul>\n<p>This programme will be run by KET for three years. The partner countries are Croatia, Poland, Romania, Sweden and Slovenia, from which artists will be hosted not only during the festival but throughout the season. We will work closely with Pro Progressione to coordinate the implementation. Its Managing Director, Barna Petr\u00e1nyi, already has considerable international experience.<\/p>\n<ul>\n<li><em>Summer Intensive Dance Course (NYIT)<\/em><\/li>\n<\/ul>\n<p>A <em>Beyond Front@<\/em> was preceded this summer by an intensive ten-day international dance academy, where dance artists from these countries worked with three internationally renowned dance choreographers.<\/p>\n<ul>\n<li><em>International Monodance Festival<\/em><\/li>\n<\/ul>\n<p>It is a missing event in our country as a thematic dance festival, which offers the opportunity for individual monodances. Alongside renowned local performers, several internationally renowned artists have already made their debut and the event is organised alternately in Budapest and Seoul every year. Traditionally, mono prizes are awarded based on audience votes.<\/p>\n<ul>\n<li>The Bethlen Gallery exhibition opener<\/li>\n<\/ul>\n<p>As every year, there will be a photo exhibition. N\u00f3ra Bege has been taking portraits for the KET company for 18 years, and G\u00e1bor Dusa has been a regular photographer for their performances for 30 years.<\/p>\n<p>The press conference will be held at the aforementioned <em>Set Your Mind Free<\/em> and concluded with a workshop etude.<strong>\u00a0<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Progressz\u00edv, St\u00edlusos, Kort\u00e1rs. 35 \u00e9ve.\u00a0 \u00a0 A szeptember v\u00e9g\u00e9n tartott K\u00f6z\u00e9p- Eur\u00f3pa T\u00e1ncsz\u00ednh\u00e1z (KET) sajt\u00f3t\u00e1j\u00e9koztat\u00f3j\u00e1t Sz\u00f6gi Csaba, a KET \u201eatyja\u201d nyitotta. 1988 szeptember\u00e9ben, 35 \u00e9ve v\u00e1llalta el a N\u00e9psz\u00ednh\u00e1z T\u00e1ncegy\u00fcttes vezet\u00e9s\u00e9t \u00e9s kezdem\u00e9nyezte az akkori m\u0171v\u00e9szeti vezet\u0151vel \u2013 a Harangoz\u00f3 Gyula-d\u00edjas \u00c9nekes Istv\u00e1nnal \u2013, hogy felvehesse az addig N\u00e9psz\u00ednh\u00e1z T\u00e1ncegy\u00fcttes n\u00e9ven fut\u00f3 egy\u00fcttes a K\u00f6z\u00e9p-Eur\u00f3pa [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[],"class_list":["post-10989","post","type-post","status-publish","format-standard","hentry","category-hirek"],"_links":{"self":[{"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/posts\/10989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/comments?post=10989"}],"version-history":[{"count":0,"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/posts\/10989\/revisions"}],"wp:attachment":[{"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/media?parent=10989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/categories?post=10989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cedt.hu\/en\/wp-json\/wp\/v2\/tags?post=10989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}